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Tips for Collectors

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Most collectors have a theme for their collections. Often this is a geographic area, usually the one in which they live or are otherwise familiar with, or something else such as the earliest of world maps after the discovery of the new world. Others specialize in a feature such as California shown as an island or other figments of imagination. Sometimes people collect examples of many cartographers or a single cartographer. Others might be interested in exploration or highly decorative maps or perhaps maps related to events such as the Civil War or industries such as railroads or even maps of places they lived or visited. As in other fields there are many directions in which to build a collection.

 

Factors Effecting Value
Condition
Coloring
Reproductions
Reference Material

Many factors can effect value. The following are some of those factors. As a rule the more of these important qualities possessed by the map the greater its value.

1. Region Depicted. There are more collectors of maps of some regions that of others effecting the size of the market and thus the value of maps of those areas. For instance, world maps have a universal appeal. Among nations there are sizable numbers of collectors of maps of the United States, Great Britain, Germany, Australia and Canada and increasingly Japan and China. Within the United States some of the larger states such as Texas, California and Florida have a lot of interest but the earliest maps of any state or region would be in demand. Some area that have small populations but that are vacation destinations such as Bermuda, Malta and some of the islands of the West Indies are popular. Areas that are more remote or with smaller less affluent populations have less demand and are often very decorative and well priced.

2. Historical importance. Some maps, particularly those of explorers, are the earliest to depict an area or feature. Other maps might depict an important battle or similar event. Other examples may be imagined geography such as California as an island. Generally the closer such maps date to the event the more importance and thus value they have.

3. Size. Generally the larger the map the more opportunity for detail and decoration. Such maps also display well so they are usually more valuable that smaller maps of the same area or event. Some maps are very large, however, and difficult to display reducing their value.

4. Rarity. Some maps were issued in small numbers and are relatively rare. If other conditions that enhance value are present it is further enhanced by rarity but rarity alone does not create value.

5. Age. For similar maps the older is generally the most valuable but age alone does not determine value as some very early maps of regions of relatively little interest have relatively little value. Age, like rarity, is more an enhancer of value.

6. Aesthetic qualities. Some early maps were enhanced with large cartouches, sea monsters , ships and other decorative additions. Such maps display well and thus have greater value. Color and condition also effect value. These are discussed more fully in another place.

Factors Effecting Value
Condition
Coloring
Reproductions
Reference Material

Ideally an old map should be in as close condition to the original as possible. If the original owner put the map aside and rarely consulted it and preserved it well the map can be in this “as new” condition but such circumstances are rare. The following are some of the usual defects that occur.

1. Stains. Stains come from outside influences or might result from the aging process. Outside stains might be water, coffee or similar liquid, wax are anything that can fall on the map in the course of use. Even dust and dirt or soiled fingers can soil a map. Older paper usually is of such quality that it deteriorates only slightly with age but since about 1820 cheaper paper has been used and this can deteriorate. Browning or oxidation of the paper usually appears at the edge or along the crease where it is exposed to air. Foxing or mildew spots also occurs. A skilled paper conservator can often reduce or eliminate these problems but not always.

2. Tears. These occur through use. Large maps were often folded and are weak at the folds. Other maps were folded into a binding and often tear at the fold. Atlas maps often have a centerfold that is vulnerable to tearing. As a rule the more visible a tear is in the image the greater the problem. Again, a skilled paper conservator can often reduce or eliminate these problems.

3. Margins. It is desirable to have a margin on each side of at least a quarter inch on each side if for no other reason to enable framing to occur. Some maps were not published with such margins or they have been trimmed. Such trimming reduces value. A “false margin” can sometime be added for aesthetic or practical reasons.

4. Creases. The crease on the center fold or other fold that occurred when the map was issued can often be flattened or reduced. If this is done and they are not obtrusive it does not effect value as all examples of the same map would have similar creases. Other creases resulting from mishandling effect value to the extent that they interfere with he appearance of the map.

5. Backing. Maps have often been drymounted or glued to another surface. This can often reduce value a great deal as the glue or backing can contain substances that make the map susceptible to wear, discoloration or other deterioration. A skilled paper conservator can often remove the map and reduce the side effects. Sometime folded maps have deteriorated to such an extent that they are professionally rebacked with tissue or rice paper. This usually enhances value compared to the map that needed the restoration.

 

Factors Effecting Value
Condition
Coloring
Reproductions
Reference Material

1. Contemporary Color. Coloring varies with old maps. When they were produced some maps were fully colored at the time, some were partly colored, some were colored in outline, and many not colored at all. When maps were colored at or close to the time of production it is referred to as contemporary color as it is contemporary to the printing of the map. Maps were originally colored to enhance appearance and readability. Generally three or four colors (green, pink, orange and yellow) distinguished political subdivisions, black was used for names, red colored cathedrals or other buildings distinguish large cities and blue stands for water.

2. Modern Color. Often older maps issued without color have color added in whole or in part. Any color added long after the map was issued is referred to as modern color. Modern color can be skillfully applied or less so but it usually is in outline and may or may not be historically correct. If it is skillfully applied and historically correct it is often difficult to distinguish from contemporary color. If you are in doubt you can ask a map dealer. Usually they can distinguish the two.

3. Pros and Cons. Most dealers and collectors agree that contemporary full color is best and that bad modern color is undesirable but after that there is substantial lack of agreement. Many uncolored maps are much more attractive with skillfully applied modern color. A few collectors prefer maps only as originally issued. colored or not but most dealers agree that skillful modern color enhances interest and thus value of many maps. It is very much an individual matter.

Very few maps have been deliberately faked to deceive but some have been reproduced and occasionally they are confused with the original. There are some obvious signs that they are reproductions.

 

Factors Effecting Value
Condition
Coloring
Detecting Reproductions
Reference Material

1. Size. Reproductions are usually larger or smaller than the original. If you can determine the size of the original map comparisons are easily made.

2. Folds and plate marks. Older maps were often produced by a copper plate and then folded at least once into a volume. These marks are obvious on the original and usually still physically present. On a reproduction they can often be seen but they are flat photographic images.

3. Color. Most early maps were colored by hand and brush strokes can often be discerned. Reproductions usually use printed halftones and the small dot patterns can be seen with a magnifying glass.

4. Legends. Reproductions that are not intended to deceive usually identify themselves with fine print that includes modern dates or printing houses.

5. Paper. Early paper is made with a high rag content. Chain marks, watermarks and similar features can be seen in the bright light. Reproductions on modern paper lack such features.

6. Aging Process. Old paper usually looks old. The edges will be slightly worn and perhaps soiled. When in doubt most experienced map dealers can identify reproductions without difficulty.

 

Factors Effecting Value
Condition
Coloring
Reproductions
Reference material

1. Books. No single book tells everything there is to know about map collecting. Libraries often have books on cartography and some are offered by large book dealers or map dealers. Some are offered on this Web site. Many reference books are rare and seldom are on the market. Since they each have a different emphasis their value varies.

2. Dealer catalogs. Most larger dealers issue catalogs of material. There are often well documented and useful. Occasionally back issues of catalogs appear at used book stores but dealers often have back issues that are available for collectors.

3. Map Societies and networking. Many large cities have map societies and local inquiries will usually locate them. Also, map collectors can sometimes be located on the World Wide Web.

Our best advice is to buy a map or two you find interesting. Try to learn about the map. Who published it how and when? What information does it contain that is interesting? Why? What is omitted? The collector would be surprised how much can be learned from this approach.

NOTE: Much of this is excerpted from various editions of the Antique Map Price Record & Handbook, Kimmel Publications, Amherst MA. This material is copyrighted by Jon Rosenthal and the late David Jolly and we are grateful for permission to use it.

 

   
The Old Map Gallery
1746 Blake Street | Denver, Colorado 80202
303.296.7725